The Adoption of the New National Anthem: A Shift from Colonialism to Neocolonialism

Master Emmanuel O Umar

A stranger does not tell one's story better than the person who owns it. I perceive the recent reversion to the old national anthem as a movement toward neocolonialism, where European culture continues to exert influence even after our liberation from colonial rule.

The old national anthem, now newly adopted, was written by Lillian Jean Williams and composed by Frances Berda, both European. In contrast, "Arise O' Compatriots," adopted in 1978 during President Olusegun Obasanjo's regime, was penned by Nigerian poet John A. Ilechukwu and set to music by Nigerian composer Ben Odiase.

The decision to transition from "Nigeria, We Hail Thee" to "Arise, O' Compatriots" in 1978 aimed to foster national unity and identity. The latter anthem was chosen for its inclusive lyrics, reflecting the aspirations of the Nigerian people and inspiring patriotism and commitment to national progress and unity.

However, the recent abrupt switch seems to prioritize European influence over indigenous representation, amidst pressing issues facing the nation. As a young poet, I have compared the two anthems and fail to see how the European composition supersedes that of our Nigerian poets and composers.

Nevertheless, perhaps we can consider using both anthems concurrently, akin to how we handle old and new currency notes.

In times when leaders seem disconnected from the hardships faced by the people they represent, misplaced priorities become inevitable.

Long live the Federal Republic of Nigeria🇳🇬.

From a concerned citizen,

Umar Emmanuel Omeiza